Installation view, The Fraud Complex, West Space, Melbourne, 2016

Abdul Abdullah
Most fair  2016
ceramic
12cm x 17cm x 7cm

Bindi Cole
Not Really Aboriginal (series)  2008/2016
digital print

Beth Dillon
The Tallest Artist in Next Wave (performance documentation)  2016
Installation view, The Fraud Complex, West Space, Melbourne, 2016

Artsheaven.com
painting-9752 (Composition with Red, Yellow and Blue)  2016
oil painting reproduction on canvas, 92 x 92 cm
Photograph: Jessica Maurer

Installation view, The Fraud Complex, West Space, Melbourne, 2016.

Técha Noble, Casey Legler and Jordan Graham
That Self (still)  2015
single-channel video
duration: 5:56 mins

Abdul-Rahman Abdullah
Monster Maker  2016
Installation view, The Fraud Complex, West Space, Melbourne, 2016
painted wood
Image courtesy of the artist and This Is No Fantasy + Dianne Tanzer Gallery

Sara Morawetz
1:1 (After Umberto)  2016
Installation view, The Fraud Complex, West Space, Melbourne, 2016
mirrored Perspex, mixed media installation

Tyza Stewart
Self Portrait  2015
oil on board
185 x 70 cm
Image courtesy of the artists and Heiser Gallery, Brisbane
Photograph: Jon Linkins

Bindi Cole
Installation view, The Fraud Complex, West Space, Melbourne, 2016
Not Really Aboriginal (series)  2008/2016
digital print

Hany Armanious
Body Swap  2015
Installation view, The Fraud Complex, West Space, Melbourne, 2016
mirror, steel
Image courtesy of the artist and Roslyn Oxley9 Gallery, Sydney
Photograph: Alan Weedon

Yoshua Okón
The Indian Project (still)  2015
single-channel video, colour, sound
duration: 15:26 minutes

Tully Arnot
Waterfall  2016
Installation view, The Fraud Complex, West Space, Melbourne, 2016
digital print on fabric, shutterstock image, metal, plastic, motor, electronics

Megan Cope
Discover your Aboriginality!  2016
Installation view, The Fraud Complex, West Space, Melbourne, 2016
mixed media

Artsheaven.com
painting-8598 (Guernica)  2016
Installation view, The Fraud Complex, West Space, Melbourne, 2016
oil painting reproduction on canvas
Photograph: Alan Weedon.